Title: AND I DARKEN
Author: Kiersten White
Release Date: 2016
Publisher: Delacorte Press
My Rating: ★★★★☆ (4/5)
Review on Goodreads
And I Darken is a clever gender-bent retelling of the tale of Vlad the Impaler. I actually hadn’t realized this when I started the book, so it was a pleasant surprise!
Lada Dragwyla, Daughter of the Dragon, is introduced to us as a fierce, ferocious young girl who grows into an even fiercer teenager. Her character was a joy to behold: she is truly ruthless and pragmatic to a fault. At her core is her intense loyalty to Wallachia, her country of birth, and her desire to one day reign there.
And I Darken starts at the very, very beginning: with Lada’s birth, quickly followed by her younger brother Radu’s birth. After a few chapters of adjusting to the setting and character, the story quickly moves on to the main plot: Lada and Radu are delivered to the Ottoman sultan as hostages by their father to ensure Wallachia’s loyalty. Teeming with fury at her father’s betrayal, Lada, unlike her brother Radu, never comes to see the Ottomon Empire as home, despite her love for Mehmed, the young sultan.
This book is unusual in a lot of ways, the first being the plot itself. The author accurately follows the thread of history, for the most part, bringing to life a largely unknown chapter in the lives of Vlad the Impaler and Radu the Handsome. Another unusual aspect is the various relationships in this book, which are intriguing and complex. Lada and Radu care for one another, but their relationship is fraught: Lada hates Radu’s timidity, and Radu is put off by Lada’s viciousness. At the same time, they are both in love with the same man, Mehmed, though Mehmed seems to only have eyes for Lada.
Something else I thought was wonderful was the portrayal of Islam. Upon coming to the Ottoman Empire, Radu almost immediately falls in love with Islam. Eventually, he converts, and his appreciation of Islam’s beauty was really refreshing to see. He talks often of the peace he finds in prayer and the call of the athan, while at the same time he worries about Lada perceiving him as a traitor because he embraced this aspect of their captors. It’s an intriguing personal struggle.
I absolutely loved Lada, an unapologetic and unlikable protagonist, but I also found Radu a fascinating character whose growth was deftly done. Though Radu starts out as naive and weak, he eventually grows into a skilled politician, able to navigate treacherous court politics in the subtle way Lada lacks. In the midst of it all he retains his loyalty and kindness; he actually reminded me a lot of Sansa Stark. He also struggles with his sexuality (insomuch as it is understood in such a way back then) as he comes to terms with his love for Mehmed.
The book also features some wonderful nuanced discussions of womanhood and what it means to be a woman in a world of men. Lada struggles constantly with the contradiction of who she is and how people want her to be because of her gender. She does not embody traditional femininity in any way and scorns this in many other women. However, this stops short of “I’m-not-like-other-girls” because of the way the narrative interrogates the various ways women carve space for themselves in the world. Lada muses on the ways in which women wield power, whether with a sword or with their femininity. She doesn’t necessarily come to any particular conclusion, but her confusion is sure to ring true with many young women who read this book.
One of the things that may perhaps be considered a weakness is the somewhat plodding pace. Personally, I didn’t have too much of an issue with this because I really enjoyed and connected with the characters, but it is not an exaggeration to say this book moves very slowly. Again, it begins with Lada and Radu being born, and the author does not spare details about their childhood. Pacing was odd as well; I couldn’t really identify any one particular moment of plot climax, but I think that might be because this book is very, very character driven. It is focused mainly on Lada and Radu’s growth and development and how they affect the history of the Ottomans and the reign of Mehmed. And of course the plot is constrained by history, which doesn’t follow traditional plot structure.
In short, I’m very excited to read the sequel!