Title: THIS SAVAGE SONG
Author: V.E. Schwab
Release Date: 2016
Publisher: Greenwillow Books
My Rating: ★★★☆☆(3/5)
Review on Goodreads
This Savage Song is an urban paranormal dystopia (which I did not realize going in, actually). It takes place in a post-War US that has split into several territories with weird names like Verity and Prosperity. After something called the Phenomenon happened, it seems that violent acts are now begetting monsters, of which there are three types: Corsai, Malchai, and Sunai. Corsai eat you alive, Malchai will drain you of blood, and Sunai…are more like avenging angels, who play a song to suck the life out of you, but only if you yourself have committed a violence that has begotten a monster.
It’s an intriguing premise, but one fraught with unnecessary add-ons. Why do the Sunai need music to bring forth a soul? It just seemed like window dressing to an already interesting concept…then again, this may just be a personal hang-up, as I tend to really dislike music in my stories. The dystopic US world was poorly explained, and I was left unclear as to what exactly the dangerous “Waste” is or whether these monsters exists everywhere in the world or just in the territory of Verity. I hope it’s not the latter, because if so, why doesn’t everybody just leave? Why even stay in a city that, if not beset by monsters, has already been literally split at the seams due to a territory war between two men with different ideas of how to lead it?
The crux of the story focuses the children of the two men fighting for control over the city: Kate Harker and August Flynn. August, however, is not really anyone’s son, but a Sunai created in the wake of a school shooting. Kate is desperate to win her father’s approval, so she returns to V-City and puts her best brutality on display. Her father, Callum, has the monsters of Verity under his control, and in his part of the city citizens pay for protection. How and why Callum has the Corsai and Malchai under his control is unclear…did I miss that in my reading? Also, is Callum the governor of this city? Is there any other government in place? I needed more from the worldbuilding here to truly get a sense of this world.
Speaking of worldbuilding, it was odd how this seemed to be almost a post-racial society. There is one mention of one character being “dark-skinned” but otherwise everyone is white, with standard Anglo-Saxon names. Apparently Verity is meant to be the aftermath of the Midwest, but that still doesn’t explain all this abundant whiteness. It’s rather strange especially given that the text doesn’t only hint at pre-dystopic US, it explicitly tells us about the former United States (which apparently disbanded after the Vietnam War, for reasons that are not explained very well), so I’m not sure why there are so few cultural markers left over.
I guess the story is meant to focus more on Kate and August; I would definitely say this book is more character-driven than plot driven. August wants to be more human, Kate wants to be more monstrous. I guess there’s meant to be poetry in that, but it just struck me as rather cliche. Their characters were fine, I suppose, though they struck me as washed-out versions of Lila and Kell (of Schwab’s other series), and I didn’t enjoy them as much.
This is shaping out to be a really critical review, so I do want to emphasize that I did enjoy this book! It was definitely intriguing enough for me to read through it rather quickly; at no point did I even consider DNFing it. Schwab is definitely a talented writer, and this book is decently constructed. It just left me cold and indifferent.
What do you guys think? Did I miss something here? Does the sequel improve?