Title: INTO THE WATER
Author: Paula Hawkins
Release Date: 2017
Publisher: Riverhead Books
My Rating: ★★★★☆ (4/5)
Review on Goodreads
Into the Water is the sort of book that would make an incredible BBC series, in the vein of Broadchurch. It’s set in a tiny and beautiful English town with a river running through it, which would provide us with ample gorgeous scenery. It’s a murder mystery, sort of – the main focus is this river/pond that women have drowned in throughout the years, stretching back to witchhunts in the 1700s. It also doesn’t focus on any one single character, but rather has something like ten different POVs.
I would say that is my one major criticism – there are way too many different POVs here. It works in something like epic fantasy, when you’re spread across different areas, but this is a tiny English town. We didn’t need to be in all those characters heads; several of the POVs (like Mark’s or Josh’s) added little to nothing to the plot. This would have been a much better, tighter book had it only focused on perhaps three characters (in my opinion the characters should have been Jules, Erin, and Lena, the latter two ended up being my favorites). The characters’ development would have been so much more satisfying, because I think the author truly has some great characters in Jules, Lena, and Erin. My other pet peeve regarding the POVs is that they alternated between third and first person. I’m not saying this can never work – N.K. Jemisin and Marie Lu have both done it well – but here it was simply jarring.
My other criticism – which goes hand in hand with the aforementioned – is that I think the author could have delved more into the mystery and symbolism of the drowning pool. I really loved the aesthetic of this novel; the few times the author delved into the meaning and metaphor of the pool and what it means to be in the water I felt like she was on the precipice of something truly profound, but she could never quite get there. I feel like there was so much more she could have explored particularly regarding water’s symbol as a purifier – but I suppose, in the end, this is a thriller, not a philosophical tome.
And thrilling it is! At the beginning of this book, it’s not even clear that there is a mystery to be solved: Jules receives a call that her older sister Nel is dead, but most people think it’s a suicide. It’s only after more and more secrets are dug up (mainly because of the determination of Erin, a newcomer to the small town) that the suicide turns into a murder investigation. The mystery is gripping and the reveals are all interconnected and layered atop one another, with one thread uniting them: the cruelty of men towards women.
Misogyny was explored pretty openly in this book, and while some people might think it was heavy-handed, I actually liked that it was tackled head-on. It felt very realistic to me and it was satisfying to see the book ending with a rather healthy relationship between two women who both need each other for support.
In general, I liked this much better than The Girl in the Train. While the two books share some similarities, I think Into the Water is more realistic, with the kind of reveal that makes perfect sense in a sad, quiet sort of way.